Love, sex and a Skarsgård in Harry Lighton’s debut film, ‘Pillion’

(22 May 2025)
ASSOCIATED PRESS
Cannes – 18 May 2025
1. Medium of Alexander Skarsgård being interviewed
2. SOUNDBITE (English) Alexander Skarsgård, actor
"I find the first day is almost like a blind date with yourself, because it’s the first time you meet the character you’re about to play, because up until that moment, he’s only existed in your head, and then you’re like, ‘Whoa, hello there, OK, who are you? I don’t like you at all. I’m going to spend the next three months with you.’
3. Close-up Alexander Skarsgård being interviewed
4. SOUNDBITE (English) Harry Melling and Alexander Skarsgård, actors:
Melling: "I think both characters are quite vulnerable in very, very different ways. And so, I mean, I always, obviously that’s a lovely interpretation, but I always saw it as this love story, to be honest, albeit conventional, unconventional, sorry, but it always seemed to me to be these two polar opposite people and they start this relationship. So for me, I don’t know, certainly with Colin, it felt that he was deeply in love with Ray."
5. Wide of Alexander Skarsgård being interviewed
6. SOUNDBITE (English) Harry Lighton, writer/director – on deciding how many sex scenes to put in the film:
"Yeah, for me it was always about those decisions – about how much to show or about not letting the like provocation of say seeing full frontal on screen like overwhelm the sincerity of the feelings between them. And at that same time I knew that I wanted the sex to have a degree of explicitness that meant that it didn’t feel like me as a filmmaker was passing judgment on the kind of transgressive sex which you’re seeing on screen. I felt like if I was too kind of elliptical or suggestive then it might feel like I was being hands off in my treatment of that sex."
7. Wide of Alexander Skarsgård posing at the "The Phoenician Scheme" premiere

STORYLINE:
The dynamics of an unconventional relationship revs up in “Pillion” starring Alexander Skarsgård and Henry Melling.

The title comes from the word for a passenger on a motorcycle, which is appropriate as Skarsgård is a mysterious biker called Ray, who sweeps Melling’s Colin off his feet.

Melling admits he always thought of it as an unconventional love story, as Colin is “deeply in love” with Ray and becomes his submissive, while Skarsgård admits he didn’t know what he thought about Ray until filming started.

"I find the first day is almost like a blind date with yourself, because it’s the first time you meet the character you’re about to play, because up until that moment, he’s only existed in your head, and then you’re like, ‘Whoa, hello there, OK, who are you? I don’t like you at all. I’m going to spend the next three months with you.’

From first time filmmaker Harry Lighton, the movie is based on the 2020 novel "Box Hill" by Adam Mars-Jones.

Lighton thought a lot about how much sex to show in “Pillion.”

He says didn’t want the “provocation of say, seeing full frontal on screen like overwhelm the sincerity of the feelings between them.”

Adding that, “at that same time I knew that I wanted the sex to have a degree of explicitness that meant that it didn’t feel like me as a filmmaker was passing judgment on the kind of transgressive sex which you’re seeing on screen. I felt like if I was too kind of elliptical or suggestive then it might feel like I was being hands off in my treatment of that sex."

“Pillion” is showing in the Cannes Film Festival’s Un Certain Regard sidebar.

The event concludes on Saturday.

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