Italian artist uses childhood as metaphor for world events

(21 Jul 2025)
ASSOCIATED PRESS
Milan, Italy – 21 July 2025

1. Wide of “Nina’s carousel” by Valerio Berruti
2. Mid of carousel
3. Close of carousel
4. Tracking shot of carousel
5. Wide of “In the name of the father” by Valerio Berruti
6. Close of Berruti’s “In the name of the father”
7. Pan left of “In the name of the father”
8. Pan right of an artwork by Valerio Berruti
9. Close of face of statue of a girl
10. Mid of statue of a girl
11. Zoom in of statue
12. Various of an artwork by Valerio Berruti
13. SOUNDBITE (Italian) Valerio Berruti, artist:
“My language is metaphorical. I use children and childhood as actors, to be able to say what I want to say, work by work. A bit like Morandi, who used bottles (Giorgio Morandi, an artist famous for his still life paintings), but didn’t care about the bottles; he was interested in the message. I’m interested in that sense of relatability about childhood that the viewer can have with my children, and from there the message I have to convey begins.”

14. Various of paintings by Valerio Berruti
15. SOUNDBITE (Italian) Valerio Berruti, artist:
“My children are human beings in general, in the broadest and most universal sense possible.”

16. Pan left of drawings and paintings
17. Wide of a visitor looking at some drawings
18. Mid of Berruti’s drawings
19. SOUNDBITE (Italian) Nicolas Ballario, curator:
“Berruti’s works are, in some ways, a game that challenges us greatly. A very serious game. We see it through the carousel, through the video animations. But there’s a peculiarity to this game, which isn’t over. We must decide what color to give these children, what features, what ethnicity, if we want. Precisely to identify ourselves, we can be ourselves, it can be an unknown child from somewhere else in the world, it can even be our parents or grandparents when they were children. It’s a game to understand that childhood represents that moment in life when anything can still happen.”

20. Various of “Three (parts of) me" by Valerio Berruti
21. Various of “The strongest hug” by Valerio Berruti
22. SOUNDBITE (Italian) Nicolas Ballario, curator:
“The interesting thing about Berruti’s art is that there’s no single answer. In fact, after a tour of this exhibition, you probably come away with many more doubts than before. This is a positive thing, art should do this, it shouldn’t be something that reassures you, that consoles you. Rather, art should challenge you to grow a little. You can give yourself an answer, many answers, or, as in my case, not understand anything and give yourself no answers at all, but try to go beyond it.”

23. Mid of an artwork depicting a little girl clinging to a life preserver
24. SOUNDBITE (Italian) Valerio Berruti, artist:
“Each work has a theme, a macro theme, so I hope that when people leave here they ask themselves more than just a simple question, but many questions.”

25. Wide of “Don’t let me be wrong”, artwork set up in the courtyard of the Palazzo Reale
26. Various of Berruti showing his artwork “Don’t let me be wrong”
27. Video installation inside the artwork “Don’t let me be wrong”
28. Wide of the Palazzo Reale courtyard
29. Various of external view of the Palazzo Reale
STORYLINE:
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The largest solo exhibition of Valerio Berruti, an Italian artist renowned for his artworks depicting children, is opening in Milan.

The exhibition uses the metaphor of childhood to suggest a more human approach to major current issues.

STORYLINE:

Don’t be fooled by appearances, the art of Valerio Berruti isn’t really about children.

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